{"title":"Folk \u0026 Country","description":null,"products":[{"product_id":"michael-hurley-back-home-with-drifting-woods-lp","title":"Michael Hurley - Bad Mr. Mike LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMichael was one of the world's finest and most prolific songwriters. This LP features home recordings with Michael on guitar, banjo and organ. Sublime and sometimes a little strange – a new classic for the ages. Songs include the Kentucky 3 – a beautiful instrumental medley of songs evocative of Kentucky, Charona – a great banjo ballad, Tender is the guitar – a mournful organ driven ballad, Boone and Jocko – a longstanding favorite epic from Michael’s live sets on record at last, Cuckoo Rock and Lo Bonney – two unique rewordings of traditional ballads, Dragging the Indian – a stark instrumental, and much more. Don’t sleep on this work of genius. Cover art by Michael himself.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":47540774469850,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/a1597962655_16.jpg?v=1772898620"},{"product_id":"secret-museum-of-mankind-guitars-vol-1-prologue-to-modern-styles","title":"Secret Museum of Mankind - Guitars Vol. 1: Prologue to Modern Styles","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCurated by 78rpm record collector Pat Conte, The Secret Museum of Mankind - Guitars Vol. 1: Prologue to Modern Styles, is the first new volume in the legendary series since 1998. It is also the first volume of the Secret Museum to focus on a specific instrument, the guitar. This new Secret Museum volume seeks to show the diverse range of guitar sounds and styles developed and practiced across the globe.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Secret Museum of Mankind - Guitars Vol. 1: Prologue to Modern Styles presents guitar and guitar related music, recorded across the world from Spain, to Papua New Guinea, Greece to Ghana to India and more. The collection is drawn from Conte’s pioneering and remarkable personal collection of 78-rpm discs, recorded in the 1920’s-1950’s.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":47653174706394,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/a2103489772_16.jpg?v=1772901980"},{"product_id":"gramp-parsons-gp-lp","title":"Gram Parsons - GP LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHis first solo album, 1973's \u003c\/span\u003e\u003ci\u003eGP\u003c\/i\u003e\u003cspan\u003e, is probably the best realized expression of Parson's musical personality. Working with a crack band of LA and Nashville's finest (including James Burton on guitar, Ronnie Tutt on drums, Byron Berline on fiddle, and Glen D Hardin on piano), he drew from them a sound that merged breezy confidence with deeply felt southern soul, and he in turn pulled off some of his most subtle and finely detailed vocal performances; \u003c\/span\u003e\u003ci\u003eShe\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eA Song For You\u003c\/i\u003e\u003cspan\u003e, in particular, are masterful examples of passion finding balance with understatement. Parsons also discovered that rare artist with whom he can be said to have genuinely collaborated (rather than played beside), Emmylou Harris; Gram and Harris' spot-on harmonies and exchanged verses on \u003c\/span\u003e\u003ci\u003eWe'll Sweep out the Ashes in the Morning\u003c\/i\u003e\u003cspan\u003e and That's All it Took are achingly beautiful and instantly established her as one country music's most gifted vocalists.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":47715525525722,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/GP_9097ee38_thumbnail_4096.webp?v=1774814513"},{"product_id":"connie-converse-how-sad-how-lovely-lp","title":"Connie Converse - How Sad, How Lovely LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConnie Converse, the 1950s singer\/songwriter who mysteriously disappeared in 1974, was commemorated in 2009 with the compilation, \u003c\/span\u003e\u003cem\u003eHow Sad, How Lovely\u003c\/em\u003e\u003cspan\u003e. Now Third Man Records has reissued this collection of her charming folk songs with sweet alto vocals. The reissue features 20 tracks and includes the previously unreleased “House” and a new remix of “Playboy of the Western World” by Dirick Cummins. \u003c\/span\u003e\u003cem\u003eHow Sad, How Lovely\u003c\/em\u003e\u003cspan\u003e is a gentle set with melancholy moments, cheerful lilts, and clever lyrics. Highlights include the swooning \"Roving Woman\" and the lively \"Down This Road,\" which, like many of these, sounds like a familiar old folk classic.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":47715533881562,"sku":null,"price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/TMR1079_ConnieConverse_digital.webp?v=1774814722"},{"product_id":"john-fahey-blind-joe-death-lp","title":"John Fahey - Blind Joe Death LP","description":"\u003cdiv align=\"center\" style=\"text-align: left;\"\u003e\u003cspan face=\"Arial, Helvetica, sans-serif\" size=\"2\"\u003e\u003cspan size=\"4\"\u003eThe debut of Fahey, as his alter-ego, was originally released in 1959 in an insanely limited edition. Covering songs by his blues heroes Blind Blake, Barbeque Bob, and others, alongside his own compositions, and played in his unique fingerpicking style, this has become the stuff of legend. \u003cbr\u003e\u003cbr\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv align=\"center\" style=\"text-align: left;\"\u003e\u003cspan face=\"Arial, Helvetica, sans-serif\" size=\"2\"\u003e\u003cspan size=\"4\"\u003eWest Coast Blues\u003cbr\u003eSt. Louis Blues\u003cbr\u003eI'm a Poor Boy a Long Ways from Home\u003cbr\u003eUncloudy Day\u003cbr\u003eJohn Henry\u003cbr\u003eIn Christ There is no East or West\u003cbr\u003eThe Transcendental Waterfall\u003cbr\u003eDesperate Man Blues\u003cbr\u003eSun Gonna Shine in My Back Door Someday Blues\u003cbr\u003eSilgo River Blues\u003cbr\u003eOn Doing an Evil Deed Blues\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":47715612917978,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/dummy_1024x1024_e62d7ab0-df17-4e3e-907c-eb4bc7177e34.webp?v=1774815752"},{"product_id":"various-artists-as-time-draws-near","title":"Various Artists - As Time Draws Near","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn auster and dialed compilation of 1920's and 1930's ballads. All plaintive solo vocals accompanied by the banjo. No dance songs. Instead you get intense very American tunes about existential angst, murder, love, mystical happenings and so on. The mana. As far as we know, this is the first record to compile purely hard hitting banjo ballads from the golden 78 era. A treasure....\u003c\/span\u003e\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":47849097822426,"sku":null,"price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/88fc220f-f222-4797-ba28-6c96f6237080.jpg?v=1778360903"},{"product_id":"nick-drake-bryter-layter","title":"Nick Drake - Bryter Layter","description":"\u003cp\u003e\u003cspan\u003eBryter Layter (1971) is the second studio album by English folk singer-songwriter Nick Drake. On Bryter Layter, Drake was accompanied by John Cale from The Velvet Underground, members of British folk rock group Fairport Convention, and Beach Boys session musicians Mike Kowalski and Ed Carter.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":47912033321178,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/81AtJ-ADRbL._AC_UL600_SR600_600.jpg?v=1779639295"},{"product_id":"hazel-dickens-alice-gerrard-wont-you-come-sing-for-me-lp","title":"Hazel Dickens \u0026 Alice Gerrard - Won't You Come Sing For Me? LP","description":"\u003cp\u003e\u003ci\u003eWon’t You Come and Sing for Me?\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the second album by Hazel Dickens and Alice Gerrard. Their hard-driving style and soaring harmonies broke the glass ceiling of male-dominated bluegrass in the 1960s. Hazel and Alice inspired generations of women in bluegrass and beyond. Their influence has been acknowledged by artists as diverse as country superstars Naomi and Wynonna Judd, champion flat-picker Molly Tuttle, and proto-feminist punk rocker Kathleen Hanna. This landmark record includes blazing takes on songs penned by the Stanley Brothers and the Louvin Brothers as well as timeless older works by the Delmore Brothers and the Carter Family. It concludes with “The One I Love Is Gone,” a haunting and poignant piece written (but not recorded) by the father of bluegrass Bill Monroe, who personally sang it for Hazel and Alice. The album’s title song, written by Hazel, has become a widely recorded bluegrass classic.\u003c\/p\u003e\n\u003cp\u003eHazel and Alice are accompanied by Lamar Grier (banjo), David Grisman (mandolin), Billy Baker (fiddle), and Mike Seeger (guitar). Unavailable on vinyl for decades,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWon’t You Come and Sing for Me?\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas remastered in 2021 by its original producer Peter K. Siegel, and has been reissued with its original artwork and liner notes.\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":47914777936090,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/FW31034_2022.jpg?v=1779749143"},{"product_id":"townes-van-zandt-townes-van-zandt-lp","title":"Townes Van Zandt - Townes Van Zandt LP","description":"\u003cdiv class=\"product-editorial__description rte\" data-editorial-truncate=\"\" data-editorial-expanded=\"\"\u003e\n\u003cp\u003eTownes Van Zandt's third recording is an early guitar-and-voice singer-songwriter classic laden with memorable originals. Start with \"For the Sake of the Song,\" an oft-recorded classic here enlivened by tasteful percussion. Move on to a couple of Van Zandt's gritty, death's door laments--\"Waiting Around to Die\" (where the ex-con protagonist finds a friend in codeine) and a miner's sad tale, \"Lungs.\" \"Colorado Girl\" is another in a career-long series of paeans to Colorado, where Van Zandt went to college. \"I'll Be Here in the Morning\" is a tender love song, while the Dylanesque \"Fare Thee Well, Miss Carousel\" is almost playful. Like most Van Zandt albums, this one has the obligatory buried-but-beautiful small masterpiece, in this case the undeniably gorgeous \"(Quicksilver Daydreams of) Maria.\" The closer is another oft-covered piece of scrimshawed tunesmithery, \"None but the Rain.\" This 1969 effort is the first of several essential Van Zandt albums. \u003ci\u003e--Robert Baird\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":48250077970650,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/original_720x720_2x_17149085-a32f-4785-9282-1426b06bead3.jpg?v=1784587279"},{"product_id":"karen-dalton-1966-lp","title":"Karen Dalton - 1966 LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDelmore Recordings is incredibly proud to announce the February 2012 release of Karen Dalton - 1966 -- newly unearthed reel-to-reel recordings made of the elusive songstress rehearsing with her estranged husband Richard Tucker in the Colorado cabin they shared. Karen Dalton - 1966 is being released February 1, 2012 by Delmore Recordings, distributed by Light In The Attic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKaren Dalton was a remote, mercurial creature, a hybrid of tough and tender with an otherworldly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that if she wanted to survive the harshness of the world around her, she would have to keep herself hidden. So it comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice was she coaxed into formal studio settings, for 1969's It's So Hard To Tell Who's Going To Love You The Best and then again for 1971's In My Own Time. The rest of the time she made undocumented music at home, late nights sitting around with friends, singing songs until the sun came up.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1966, one of those exquisite evenings was captured by Carl Baron, who lugged his tape recorder to the cabin where Karen and Richard were living; the couple was practicing for an upcoming gig\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ewhen Carl hit the \"record\" button. The result is this tape, now some 45-years old, carefully exhumed, documenting Karen, at her most pure, raw and unfiltered. On Karen Dalton - 1966 are Fred Neil and Tim Hardin songs we've never heard Karen give voice to before, as well as traditional numbers she uncannily makes her own, including a devastating version of her signature song “Katie Cruel,” that is so raw and powerful, it is as if the ghost of Katie seeped into Karen’s very blood and sinew.\u003cbr\u003e\u003cbr\u003eIn 1966, Karen Dalton, traded in the unrelenting 24-hour-intensity of NYC for a remote cabin in Summerville, Colorado with no running water and no actual address. Like her close friends Fred Neil and Tim Hardin, Karen was unable to handle New York for long stretches and periodically sought relief. In Summerville, the pressures of finding gigs and coming up with the rent were replaced by fresh air and horses to ride. Karen was as natural atop a steed as she was with a banjo in her hands. Her long hair blowing in the wind as she guided her horse, Mamacita, across the green plains, was an image as indelible as her dark voice on tape.\u003cbr\u003e\u003cbr\u003eHer erstwhile collaborator Tim Hardin showed up shortly thereafter, clutching a handful of newly written songs that would soon establish his formidable reputation, and moved in down the road. Most nights were filled with music. Karen, Richard and various friends traded songs around the wood-burning stove. Carl Shames, a writer and musician, witnessed many of those magical evenings, and would also accompany Karen and Richard on some of their gigs.\u003cbr\u003e\u003cbr\u003eCarl says, \"Karen’s voice knocked me over and got right into my bone marrow. Haunting and piercing – I had never heard anything quite like it. Hearing the music today evokes those great memories, and appreciation of her talent, but I think you can also hear her isolation - she didn't reach out to audiences either in selection of material or the way she sang and played. So she thought nothing of doing five songs in a row all in the same mood and rhythm. She was in her own world.\"\u003cbr\u003e\u003cbr\u003eNow, we can listen to these performances, close our eyes and imagine we too are gathered around that stove, basking in the beauty of those Colorado nights, witnessing something dangerously beautiful.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":48338397888730,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/a213337814_1x1_700.avif?v=1786653250"},{"product_id":"vashti-bunyan-some-things-just-stick-in-you-mind-singles-and-demos-1964-1967-lp","title":"Vashti Bunyan - Some Things Just Stick In You Mind: Singles and Demos 1964-1967 LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFollowing the amazing success story of Vashti Bunyan's recent re-emerging as an artist after an exile of over 30 years come the release of SOME THINGS JUST STICK IN YOUR MIND, a comprehensive collection of early recordings from the period prior to her classic 1970 JUST ANOTHER DIAMOND DAY album. Titled after the (Jagger\/Richards-penned) debut single which opens the double album, SOME THINGS attempts to both draw a line under the past and also to set the record straight regarding the disparity between how Bunyan viewed (and still views) herself and the way the public views her as an artist. While she is widely regarded as a folk singer - a tag with which she fundamentally disagrees - these recordings instead reveal Bunyan as a pop singer, however fragile and unique.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1.1 Some Things Just Stick in Your Mind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.2 I Want to Be Alone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.3 Train Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.4 Love Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.5 Winter Is Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.6 Coldest Night of the Year\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.7 I'd Like to Walk Around in Your Mind\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.8 Winter Is Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.9 Girl's Song in Winter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.10 If in Winter (100 Lovers)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.11 Wishwanderer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.12 Don't Believe\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.13 17 Pink Sugar Elephants\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.1 Autumn Leaves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.2 Leave Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.3 If in Winter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.4 How Do I Know\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.5 Find My Heart Again\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.6 Go Before Dawn\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.7 Girl's Song in Winter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.8 I Don't Know What Love Is\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.9 Don't Believe What They Say\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.10 Love You Now\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.11 I Know\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.12 Someday\u003c\/span\u003e\u003c\/p\u003e","brand":"Bramble","offers":[{"title":"Default Title","offer_id":48364527157466,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/1361\/4554\/files\/Vashti-Bunyan-Some-Things-Just-Stick-In-You-Mind-Single-and-Demos-1964-1967-Music-Performance-CD_9ae3d920-c506-45bc-9fa0-51fb0296fb2c.6244df4698600253d5741bd5e62e9002.avif?v=1786816960"},{"product_id":"robert-lester-folsom-ode-to-a-rainy-day-archives-1972-1975-lp","title":"Robert Lester Folsom - Ode To A Rainy Day: Archives 1972-1975 LP","description":"\u003cp\u003eThe first collection of unearthed, unheard material from Georgia's favorite folk hero Robert Lester Folsom. 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Ted Lucas is a seamless marriage of moody odes and raga style instrumentals regarded by many to be, simply put, the greatest private press folk\/psych album ever recorded. Lucas was a fixture in the Detroit rock scene of the sixties and seventies. His first band, The Spike Drivers, was one of the very first true psych bands, the Motor Citys answer to Jefferson Airplane and The Byrds. Following that bands collapse, Lucas paid bills doing session work with Motown. And there he recorded, in 1972, the demo for Warner Brothers which would become Ted Lucas, released in two private editions in 1975 and known informally to friends and family as The OM Album, after Lucas own label. 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